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has been the keeper of the franchise on the film side. “We’re working on several fronts and obviously Alex is the key for the franchise. “We don’t know enough yet,” Robbins said. Paramount did carve out a release date for an untitled Trek film in 2023 with WandaVision director Matt Shakman set to direct from a screenplay being written by Lindsey Beer and Geneva Robertson-Dworet, but when pressed Robbins wouldn’t commit to that being the next Trek film to land, raising the specter of the films taking a different route or Kurtzman taking over entirely. His efforts have been stuck in development hell ever since Star Trek Beyond landed, with multiple attempts at a next film falling through, including a possible Quentin Tarantino movie. Abrams leading the charge on the film side of things. While Kurtzman is the head of Trek on Paramount+, it has been J.J. The studio head was pretty cagey with answers and didn’t clarify which development he was waiting to have delivered. I can’t wait to get going on it, but we’re not there yet but we need to get there soon.” “We’re in it and I don’t really have anything to say because I’m waiting for the development to be delivered. “Where we go with the franchise next theatrically is crucial to the health of the overall franchise,” said Robbins. Kurtzman and Robbins discussed the big-screen aspirations of the franchise, conceding that movies were the “beacon that ignite franchises,” and Trek currently does not have one of those.
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Robbins recently sat down with The Hollywood Reporter (via Trek Movie) alongside Star Trek boss Alex Kurtzman to celebrate the launch of Star Trek: Prodigy, the new animated series in the franchise, in addition to touching upon various movies in the works, both live-action and animated. Where the NCC-1701-D looks like a bubbly platform of peace, the E is a proper military machine that gets down to deadly business right after the opening credits.In case you don’t keep up with the ins and outs of wealthy people getting paid a lot of money to run entertainment studios, Paramount Pictures brought in a new head in September in the form of Brian Robbins, and it sounds like he has big plans for the cinematic Star Trek - even if he isn’t quite sure what they are yet.
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Where the "Next Generation" TV episodes (mostly) used the Enterprise's weapons as a deterrent, First Contact is an all-out war movie more in the spirit of what "Deep Space Nine" became. As is the case with The Voyage Home (another whale movie), time travel cooks up a stranger-in-a-strange-era scenario that loosens up and enlivens the characters. First Contact stretches Picard's personal war into a feature-length film that's a little heavy on the Moby Dick symbolism, but totally works. The creators clearly recognized the good thing they had going in the two-part TNG episode " The Best of Both Worlds," when Borg assimilation and de-assimilation lets the philosopher Captain Picard play warrior-poet. They are the same kinds of things you could have said about First Contact, the first movie to feature the Next Generation cast exclusively and the best of the trio by far. These are the kinds of notions we heard plenty of when J.J. A much-needed shot in the arm for a franchise that too often settles for preachy talking. TNG stories are the strongest when the captain is the captain.įinally, a freewheeling action movie and not a ponderous meditation about the Prime Directive. Everything about "The Next Generation" works because of who Jean-Luc Picard is-the wise, stubborn stoic married to his career. The what-if stories are fine, but let's be real. Any list of the best TNG television episodes will contain "The Inner Light," a brilliant hour in which Picard lives a lifetime as a husband, a father, a family man who put down roots and saw them grow, only to wake up from the fever dream alone again, gazing across the starfield. Insurrection finds Picard falling in love with a woman in paradise, following the show's familiar trope of teasing him with hints of romance, family, more to life than captaining a ship. Then again, "The Next Generation" always lusts after what it cannot have. But it's a bit weird coming from a franchise built upon techno-utopianism, where technology has led the way to a more or less peaceful, money-free, pretty great world of tomorrow. You don't have to be an English major to get the environmental subtext here. The big reveal is that the two are the same race, with the latter being rebels who left the immortal colony on a forever Rumspringa to embrace the technological life. The bad race of people want to steal this radiation for themselves, wrecking the pristine planet in the process, and bad dudes high in the Federation are helping them do it. To recap: The good race of people are immortals-because, it turns out, they are shielded by magical radiation.